Audrey Samson

Dr Audrey Samson

Audrey Samson

Dr Audrey Samson

Senior Lecturer

Department of Creative Professions and Digital Arts

Faculty of Architecture, Computing and Humanities

Audrey Samson is an artist-researcher that explores the forms of slow violence and necropolitics that are embedded in the entanglement of archiving practices and technical objects, and erasure as a disruptive technology in knowledge production.

She joined the University of Greenwich in March 2017 and has previously been based in Hong Kong, the Netherlands, Denmark, Australia and Canada.

She is part of the duo FRAUD currently a resident at the Somerset House Studios.

Samson's work has been presented internationally.

MA Digital Arts; BA Digital Arts

Samson, Audrey. "Digital Data Funerals." In Residues of death: Disposal refigured, edited by Tamara Kohn, Martin Gibbs, Bjorn Nansen and Luke van Ryn. London: Palgrave Macmillan, forthcoming.

Samson, Audrey, and Francisco Gallardo. "Commercial Extinction; The Exhaustion of Exhaustion." In The Empire Shop Remains, edited by Daniel Fernandez and Alon Schwabe. New York: Columbia University Press, forthcoming.

Samson, Audrey, Lea Muldtofte, Winnie Soon, Eric Snodgrass, and Francisco Gallardo. "Execution". In The Posthuman Glossary, edited by Rosa Braidotti and Maria Hlavajova, 141-44. London: Bloomsbury Press, 2018.

Schäfer, Mirko T., and Audrey Samson. "Static Glow." In The Posthuman Glossary, edited by Rosa Braidotti and Maria Hlavajova, 407-10. London: Bloomsbury Press, 2018.

Samson, Audrey. "Erasure." In Data Browser 06: Executing Practices, edited by Helen Pritchard, Eric Snodgrass, and Magda Tyżlik-Carver, 143-54. New York: Autonomedia. 2016.

Gallardo, Francisco, and Samson, A. "Shrimping Under Working Conditions." In Data Browser 06: Executing Practices, edited by Helen Pritchard, Eric Snodgrass, and Magda Tyżlik-Carver, 253-66. New York: Autonomedia, 2016.

Samson, Audrey, and Winnie Soon. "Network Affordances: Unpredictable parameters of a Hong Kong SPEED SHOW." The Fibreculture Journal 24 (2015). http://twentyfour.fibreculturejournal.org/2015/06/04/44/.

Samson, Audrey. "Erasure, an attempt to surpass datafication." APRJA , no. 1 (2015). http://www.aprja.net/erasure-an-attempt-to-surpass-datafication/.

Samson, Audrey, and Kristina Andersen. "Tassophonics: Nanotechnology as the Magical Unknown." In Design, User Experience, and Usability. User Experience in Novel Technological Environments, edited by Aaron Marcus, 548-57. Berlin: Springer, 2013. https://doi.org/10.1007/978-3-642-39238-2_60.

Samson, Audrey. "Pixel Experience Poetics." In White Smoke, edited by Hexaplex, 3-7. Eindhoven: Onomatopee, 2010.

Samson, Audrey. "Haunted profiles; Social networking sites and the crisis of death." In Re:live Media Art Histories 2009 conference proceedings, edited by Sean Cubitt, and Paul Thomas, 140-47. Melbourne: The University of Melbourne & Victorian College of the Arts and Music, 2009

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(2017) Let them eat cake! @ ACM Creativity & Cognition (Singapore, SG)

(2017) Digital Data Funerals @ The Digital Everyday: Exploration or Alienation? King's College London (London, UK)

(2016) Digital Data Funerals @ digiTAG 2: Archaeological Storytelling and the 'Digital Turn'. University of Southampton (Southampton, UK)

(2015) Erasure and the Datafied Self @ Second International Death Online Research Symposium. Kingston University (London, UK)

(2014) Speedshow 2.0 Hong Kong @ Cultural Transformations, Technology and Urban Development Roundtable Symposium. Aarhus University (Aarhus, DK)

(2014) Ne.me.quitte(s).pas @ Transmediale. Haus der Kulturen der Welt (Berlin, DE)

(2013) Tassophonics: Nanotechnology and the magical unknown in Haptic Interface panel @ HCI International Conference (Las Vegas, US)

(2011) Don't Anthropomorpise Me: Electronic Performance Tools, Automatons & The Vanity Apocalypse panel @ ISEA (International Symposium on Electronic Art) (Istanbul, TR)

Browse our publications database