SOUND/IMAGE 2025 is an international festival that attracts diverse global voices, to reveal new insights upon questions of creative practices across and between music, film, sound arts, performance and digital arts.

We received over three hundred paper and artistic submissions from all over the world, from which we have selected a diverse complementary programme of talks, screenings, performances loudspeaker orchestra concerts and workshops.

This year’s 4-day event will take place across our World Class Labs facilities (SHIFT) in our Immersive Digital Theatre in Woolwich and our Stockwell Street building in Greenwich, featuring works of immersive sound, video and 360º degree film, bringing together diverse perspectives to stimulate discussion.

We look forward to welcoming you between the 6-9 November 2025, at the University of Greenwich, to participate in the 10^th anniversary edition of the SOUND/IMAGE Festival, a laboratory of collaboration exchange and learning.

Shared Frequencies: Artist in Residence Showcase

Venue: St Alfege Church

Time: 7pm

Entry: £5, booking is required

Link to book

Exploring timbre as a key element of form, join us for an eclectic evening as Panayiotis Kokoras presents a programme of fixed, mixed media and audiovisual works. The concert will include multichannel compositions AI Phantasy (2020), Qualia (2017) and Sense (2013) for tape, amongst others.

Panayiotis Kokoras is an internationally award-winning composer and computer music innovator, and currently Regents Professor of composition and CEMI director (Center for Experimental Music and Intermedia) at the University of North Texas. Born in Greece, he underwent formal training in classical guitar and composition in Athens (Dip), Greece, and later in York, England (MA, PhD). He taught for many years at Aristotle University in Thessaloniki. Kokoras's sound compositions use sound as the only structural unit. His concept of "holophonic musical texture" describes his goal that each independent sound (phonos), contributes equally into the synthesis of the total (holos). In both instrumental and electroacoustic writing, his music calls upon a "virtuosity of sound," a hyper-idiomatic writing which emphasizes on the precise production of variable sound possibilities and the correct distinction between one timbre and another to convey the musical ideas and structure of the piece. His compositional oeuvre draws inspiration from his in-depth exploration of domains such as  Sound Composition, Spatial Sound, Mixed Music, Electroacoustic Music, Holophonic Musical Texture, Extended Techniques, Fab Synthesis, Music Information Retrieval compositional strategies, Tactile Sound, Instrumental Prosthetics, Robotics, Sound and Consciousness. Kokoras's works have received significant recognition, with commissions and fellowships from renowned institutions and festivals including the Guggenheim Foundation (USA), Fromm Music Foundation (Harvard), IRCAM (France), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), and IMEB (France), among others. His compositions have graced over 1100 performances across the globe, amassing an impressive array of 95 awards and distinctions in international competitions. His compositions have consistently been chosen by juries from over 320 international calls for music. He stands as a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and held positions including board member and president from 2004 to 2012. Presently, he assumes the role of President of the International Confederation of Electroacoustic Music (ICEM). He also served as conference chair for the ICMC 2015 and SMC 2018 and regularly serves as jury member in composition competitions and conferences.

Loudspeaker Orchestra Concert: Ernest Berk: A Musical Outsider